Art History Network

Art History Network

Art History news, events, jobs, funding and writing

Primary Menu
  • About
    • Contact Us
    • Subscribe
  • Events
    • Melbourne Events
    • Sydney Events
    • Hobart Events
    • Brisbane Events
    • Canberra Events
    • Perth Events
  • Calls for Papers
  • Funding, Scholarships, Jobs
  • What are you looking at?
  • News
  • Opinion
  • Exhibitions
  • Exhibition Reviews
  • Book Reviews
  • Foreign Correspondent
  • HOME
  • ABOUTThis website publishes a range of art and art history related news. Although we have a Melbourne focus, items of general interest are most welcome. This may include calls for papers for journals and conferences, Art History events such as talks, symposia, conferences and lectures, scholarship and fellowship opportunities, details of new databases or digital collections and general news items related to art and art history. If you have something you would like featured on the site please contact the webmaster: Katrina Grant –  kat.grantATgmail.com
    • About MANAbout Melbourne Art Network Melbourne Art Network (MAN) is a Melbourne-based organisation devoted to the promotion of events, news, and critical commentary about art history and art generally, primarily through the operation of the MAN website. Although MAN has a Melbourne focus, items of general art historical interest are welcome. These include calls-for-papers, conferences, and exhibitions. MAN is an independent organisation, with no affiliation to any academic or cultural institution, but welcomes collaboration with all relevant institutions and organisations. MAN welcomes event notices, which should be sent to the webmaster: Katrina Grant –  kat.grant@gmail.com or webmaster@melbourneartnetwork.com.au The webmaster will decide which notices are deemed suitable for the site, and the decision of the webmaster is final. MAN especially welcomes notices that relate to academic art, architectural, design and garden history and to exhibitions and art events. MAN does not post notices of dealer exhibitions, artist-run spaces, etc. unless they are deemed elevant to its interests. MAN takes no responsibility for views expessed on its website. Any promotional materials concerning events, etc. are the responsibility of the organising body that has supplied the information. Any queries about these events should be directed to the relevant organising body. All opinions expressed on…
    • SubscribeYou can follow MAN updates in a variety of ways… RSS Email Twitter Facebook
    • Contact UsIf you have an event, news or CFP that you would like featured on the site please contact the webmaster: Katrina Grant –  kat.grantATgmail.com Although we have a Melbourne focus, items of general interest are most welcome. This may include calls for papers for journals and conferences, Art History events such as talks, symposia, conferences and lectures, scholarship and fellowship opportunities, details of new databases or digital collections and general news items related to art and art history. Please note that we do not accept unsolicited reviews or opinion pieces. However, if you are interested in getting involved with the Melbourne Art Network please contact Katrina Grant kat.grantATgmail.com All enquiries about the Melbourne Art Journal should be direct to David Marshall david.marshall@unimelb.edu.au Any enquiries about events, funding or Call for Papers should be directed to the contact person specified in the post, not to MAN as we just advertise these events. For subscription options via email or RSS click here. 
  • ADVERTISE ON MAN
  • MELBOURNE ART JOURNALMelbourne Art Journal (MAJ) is an art history journal based in Melbourne. It is dedicated to publishing art historical research of the highest quality, from medieval to contemporary, European, Australian, and Asian. It has a particular interest in connections between Australia and Europe: with art historians based in Australia and New Zealand writing on European topics and topics in Australian art history that deal with the relationship between Australian art and European. For all enquiries about MAJ contact David R. Marshall: david.marshall@unimelb.edu.au “Europe and Australia” is now out – download an order form in pdf: MAJ Order Form ‘Europe and Australia’ MAJ nos. 11-12. Contents below or click here to download a pdf of the contents page and abstracts of each article. Ruth Pullin ‘The Vulkaneifel and Victoria’s Western District: Eugène von Guérard and the Geognostic Landscape’ Caroline Jordan and Veronica Filmer ‘Old Sayer’s Picture Gallery’: James Whitley Sayer, Founder of the Geelong Gallery’ Mark Stocker ‘Director of the Canoe’: The Auckland Statue of Sir George Grey’ Katti Williams ‘Sublime Ruins: William Lucas’ Project for the Australian WWI War Memorial at Viller-Bretonneux, France’ David Maskill ‘Imperial lines: Harold Wright (1885-1961): Printmaking and Collecting at the End of Empire’ Simon Pierse…
    • Home– Melbourne Art Journal (MAJ) is an art history journal based in Melbourne. It is dedicated to publishing art historical research of the highest quality, from medieval to contemporary, European, Australian, and Asian. It has a particular interest in connections between Australia and Europe, including studies by art historians based in Australia and New Zealand writing on European topics, and topics in Australian and European art history that deal with the relationship between Australia and Europe. MAJ is a fully refereed journal and recognised as such by DEST, the Australian Government academic research body. MAJ currently has an ‘A’ rating in the Excellence in Research for Australia (ERA) rankings producedby the Australian Research Council (ARC) which is a statutory authority within the Australian Government’s Innovation, Industry, Science and Research (IISR) portfolio. Articles aim to be both readable and scholarly. MAJ is predicated on the belief that art historical studies need to engage closely with images of works of art, and therefore aims to illustrate articles fully, with high quality illustrations, and with as many as the argument requires. Many contributions arise from the research of art historians at universities in Australia, but it welcomes contributions from any source. It is…
    • About MAJEditorial Board Lisa Beaven (La Trobe University) Dagmar Eichberger (Heidelberg University) Ann Galbally (University of Melbourne) Robert W. Gaston (University of Melbourne) Alison Inglis (University of Melbourne) Margaret Manion, AO, FACE, FAHA (University of Melbourne) David R. Marshall, FAHA (University of Melbourne) Richard Read (University of  Western Australia) Richard E. Spear  (University of Maryland) Mark Stocker (University of Otago) Gerard Vaughan, FSA (National Gallery of Victoria) Editor David R. Marshall Publisher The Daytopia Press PO Box 273, Daylesford, Victoria, 3460, Australia ISSN 1329-9441 Focus and Scope Melbourne Art Journal (MAJ) is an art history journal based in Melbourne. It is dedicated to publishing art historical research of the highest quality, from the medieval period to the twentieth century, with a focus on European and Australian art. It has a particular interest in connections between Australia and Europe. This may take the form of articles written by art historians based in Australia and New Zealand  on European topics, and topics in Australian or New Zealand art history that deal with the relationship between Australia or New Zealand and  Europe. MAJ is produced in the first instance in hard copy, to the highest production standards: recent issues have been in full colour.…
    • MAJ List of ArticlesMAJ Full List of Articles Author Title Issue Pages Melbourne Art Journal, Issue 11-12, 2008-9. Europe and Australia. Edited by David R. Marshall       84 Pullin, Ruth The Vulkaneifel and Victoria’s Western District: Eugène von Guérard and the Geognostic Landscape Issue 11/12 pp. 6-50 83 Jordan, Caroline and Veronica Filmer ‘Old Sayer’s Picture Gallery’: James Whitley Sayer, Founder of the Geelong Gallery Issue 11/12 pp. 34–49 82 Stocker, Mark ‘Director of the Canoe’: The Auckland Statue of Sir George Grey Issue 11/12 pp. 50 81 Williams, Katti Sublime Ruins: William Lucas Project for the Australian WWI War Memorial at Villers-Bretonneux, France Issue 11/12 pp. 64 80 Maskill, David Imperial Lines: Harold Wright (1885–1961): Printmaking and Collecting at the End of Empire Issue 11/12 pp. 86 79 Pierse, Simon Sir Kenneth Clark: Deus Ex Machina of Australian Art Issue 11/12 pp. 104–119 78 Read, Richard Intra-Extra-Recto-Verso: Reversed Paintings and Ontological Realms Issue 11/12 pp. 120–135 77 Baker, Alex It’s All About You: Generosity in the Art of Harrell Fletcher Issue 11/12 pp. 136–149 Melbourne Art Journal, Issue 9-10, 2006-7. Art, Site and Spectacle. Studies in Early Modern Visual Culture. Edited by David R. Marshall       76 Marshall,…
    • Forthcoming IssuesForthcoming Issues The next issue of Melbourne Art Journal will focus on the art and architecture (including gardens, public sculpture, etc.) of the city of Rome (and environs) from the Medieval period to the 20th century. Proposed articles should have a topgoraphical emphasis, for example by treating of a certain area of Rome, a work of art in context, responses to the city etc. The issue will be produced in full colour and submissions should make good use of this by focusing closely on the visual matters. There is no set length for submissions, and both longer submissions and short notes will be considered. This issue will be edited by David R. Marshall. Closing date for propsals is 1 October 2010, but can se sent at any time, the sooner the better. Date for submission of manuscripts and images is 1 March 2011. Publication will be late 2011. Subsequent Issues Subsequent issues, which will employ guest editors, will include 19th and 20th century Australian art, or other  themes, such as those based on media, e.g. sculpture. Suggestions and proposals for these issues are welcome at any time. Proposals Proposals should be sent to: david.marshall@unimelb.edu.au
    • MAJ Issues
      • Issues 11/12: Europe and AustraliaContents Caroline Jordan and Veronica Filmer ‘Old Sayer’s Picture Gallery’: James Whitley Sayer, Founder of the Geelong Gallery’ Mark Stocker ‘Director of the Canoe’: The Auckland Statue of Sir George Grey’ Katti Williams ‘Sublime Ruins: William Lucas’ Project for the Australian WWI War Memorial at Viller-Bretonneux, France’ David Maskill ‘Imperial lines: Harold Wright (1885-1961): Printmaking and Collecting at the End of Empire’ Simon Pierse ‘Sir Kenneth Clark: Deus Ex Machina of Australian Art’ Richard Read ‘Intra-Extra-Recto-Verso: Reversed Paintings and Ontological Realms’ Alex Baker ‘It’s All About You: Generosity in the Art of Harrell Fletcher’
      • Issues 9/10: Art, Site and Spectacle‘Art, Site and Spectacle’ Published in 2007, Melbourne Art Journal vols 9-10. Contents David R. Marshall – Preface Robert W. Gaston – Introduction: Some Meditations on Space and Place in Recent Florentine Art History ART Hugh Hudson – Fra Angelico and Paolo Uccello in the Early Quattrocento Piers Baker-Bates – Sebastiano del Piombo’s Úbeda Pietà: Between Italy and Spain Karin Wolfe – Francesco Trevisani and Landscape: Joseph Sold into Slavery in the National Gallery of Victoria SITE Robert W. Gaston – The Margaret Manion Lecture 2005: Untangling the Mannerist Narrative: Bronzino, Moses, and Eleonora of Toledo in the Palazzo de’Signori, Florence Christina Strunck – ‘The Marvel Not Only of Rome, But of All Italy’: The Galleria Colonna, Its Design History and Pictorial Programme 1661–1700 Arnold Witte – Hermits in High Society: Private Retreats in Late Seicento Rome David R. Marshall – Giovanni Paolo Panini as Architectural Critic: The Competition for the Façade of S. Giovanni in Laterano in 1732 and the Quirinal Caffeaus SPECTACLE Lisa Beaven – Claude Lorrain’s Harbour Scenes: Sun, Science and the Theatre in the Barberini Years Katrina Grant – Teatri di Verzura: Hedge Theatres in Baroque Lucca Mark D. Shepheard – ‘Will the Real Boccherini Please…
      • Issue 8Melbourne Art Journal 2005, no. 8 Contents David R. Marshall – Editorial Christopher Marshall – The Margaret Manion Lecture 2004: ‘The Spirit of Caesar in this Soul of a Woman’: Artemisia Gentileschi and the Will to Succeed, 1629–1654 Anne Neale – Land Labour and Gold: Eugen von Guérard or Edward La Trobe Bateman? Francis Ebury – The Trail of the Title: Image and Text in Australian Pictorialist Photography Irena Zdanowicz – The Joseph Burke Lecture 2004: Painting from the Inside Out: Fred Williams’ Travels and His Relationship to the European Tradition Lesley Den Hartog – Chinese Gardens in Australia: Diasporic Gardens or Theme Parks? Jaynie Anderson – The Joseph Burke Lecture 2005: Interrogating Joe Burke and His Legacy Sheridan Palmer – Ursula Hoff and the German Tradition Colin Holden – Towards an Intimate Portrait: Insights from Ursula Hoff ’s Diaries while Felton Bequest Adviser Monica Lausch – Franz Philipp and the Vienna School of Art History in Australia
      • Issue 7: ‘The Italians’ in AustraliaThe Production of Art Richard Spear – What is an Original? John Gregory – The Colour of Mannerism: Some Exploratory Observations, Focusing on Jacopo Bassano’s Martyrdom of St Catherine Christopher R. Marshall – Markets, Money and Artistic Manoeuvres: Reflections on Bernardo Cavallino and the Grand Manner David R. Marshall – Carlevaris & Canaletto, Piranesi & Panini: The Paradoxes of the Serial Veduta The Portrait Mauro Lucco – Lorenzo Lotto and the Interpretation of Venetian 16th century Portraits Jaynie Anderson – Bittersweet Love. Giorgione’s Portraits of Masculine Friendship Lisa Beaven – Bernini’s Last Papal Portrait and its Audience: The Statue of Pope Clement X Altieri Michael Hill – The Informality of Baciccio’s Portrait of Cardinal Spinola Devotion and Martyrdom Louise Marshall – Luxury and pathos in Romanino’s Christ Carrying the Cross Susan Russell – Annibale Carracci’s St. Margaret and the Single-figure Altarpiece in Rome around 1600 Robert Gaston – The rhetoric of atrocity Guercino’s Martyrdom of St Lawrence Virility, Magic and Memento Mori Vivien Gaston – Virile Cittadino: Rosso Fiorentino’s Moses Defending the Daughters of Jethro Charles Zika – The Corsini Witchcraft Scene by Salvator Rosa: Magic, Violence and Death Luke Morgan – Guercino’s Et in Arcadia Ego and Eighteenth-Century Landscape…
      • Issue 6Contents Nigel Morgan – The Joseph Burke Lecture 2001: Gendered Devotions and Social Rituals: The Aspremont Psalter – ‘Hours’ and the Image of the Patron in Late Thirteenth and Early Fourteenth-Century France. Jennifer Spinks – Education and Entertainment: The Redecoration of Marie-Adélaïde of Savoy’s Ménagerie at Versailles. David R. Marshall – The Joseph Burke Lecture 2002: Carnevale, Conversazione, and Villegiatura: Villa Life in the Eighteenth Century. Susan Russell – Herman van Swanevelt’s Landscape Prints in the Tom Roberts Album at the Art Gallery of New South Wales. Ann Galbally – The Margaret Manion Lecture 2003 – Art, Art Nouveau and Anti-Art: Charles Conder and the Aesthetics of the 1890s. Mark Stocker – Pakeha Praxiteles: The Sculpture of Margaret Butler.
      • Issue 5Contents Joan Barclay Lloyd – The Margaret Manion Lecture 2000: Mary Queen of the Angels; Byzantine and Roman Images of the Virgin and Child Enthroned with Attendant Angels Alison Inglis – The Margaret Manion Lecture 2001: ‘The Queen of the South’: Archaeology and Empire in Edward J. Poynter’s The Visit of the Queen of Sheba to King Solomon Merilyn Savill – The Triple Portrait of Pierre Bernard, Gérard Edelinck and Nicholas de Largillière and the Debate in the French Academy in 1668 over the Status of Engravers Paul Paffen – A Grand Illusion: Benjamin Duterrau and The Conciliation Iva Rosario – Josej Kucîk’s Sgraffito Murals in the Church of the Holy Trinity, New Norcia
      • Issue 4Contents Dagmar Eichberger – The Margaret Manion Lecture 1999: A Renaissance Princess named Margaret. Fashioning a Public Image in a Courtly Society Vivien Sobchak – The Jospeh Burke Lecture 2000: What is Film History?, or the Riddle of the Sphinxes Mark P. McDonald – Pedro Perret and Pedro de Villafranca y Malagón. Printmakers to the Spanish Hapsburgs Tonia Eckfeld – The Virtuous Wife. Portrait of an Imperial Concubine in the Tang Dynasty Tomb of Crown Prince Li Xian
      • Issue 3Contents Dagmar Eichberger –  Ursula Hoff: A Tribute Stephen Weil – The Margaret Manion Lecture 1998: When the Audience takes Stage Centre Susan Russell – Virtuous Women: the Decoration of Donna OlimpiaPamphili’s Audience Room in the Palazzo Pamphili in Piazza Navona Lisa Beaven – Camillo Massimi as Patron of Sculptors:François Duquesnoy, Alessandro Algardi, Francesco Fontana and Cosimo Fancelli Alison Inglis –  ‘Painting for Eternity’: Edward Poynter and the the’Kensington Valhalla’
      • Issue 2Barbara Creed – Modernity and Misogyny: Fim and the Public Erotic Mark P. McDonald – A Drawing by Antonio del Castillo y Saavedra in the British Museum Jillian Dwyer – The Lone Hand Case: the Critical Response to Bernard Hall’s Sleep in New Zealand Joan E. Barclay Lloyd – The Architecture of the Church of the Immaculate Conception, Hawthorn
      • Issue 1Derek Gillman – The Export of National Treasures: Reasonable or Treasonable? Astrid Wooton – On Circe’s Island: Subversive Power Relationships in a Painting by Sinibaldo Scorza Alison Leach – Bellotto’s Forum Romanun in the National Gallery of Victoria Reconsidered Catherine Dynan – The 1989 Design for Flinders Street Station: James Fawcett, Henry Ashworth and teh Arts and Crafts Movement
  • EMAJ ART JOURNALemaj (electronic Melbourne art journal) is the only online, refereed art history journal published in Australia. emaj aims to provide an international forum for the publication of original academic research in all areas and periods of art history. Topics covered include fine arts, architecture, curatorship, politics and aesthetics, visual culture, philosophy, historiography and museum studies. emaj welcomes monographic articles about specific artists or art collectives as well as thematic or theoretical analyses on aspects of art history. emaj was founded in 2005 as a research platform for postgraduate art historians. While the journal remain  devoted to the work of emerging scholars, submissions are open to all researchers investigating the history of art. The motivation for a refereed art history journal that spans all media and historical periods is twofold. Firstly, it provides a point of cohesion: emaj is designed to unite disparate threads of art historical scholarship within a single frame. Secondly, in presenting a diverse array of research, emaj hopes to encourage dialogue between traditionally segregated fields of enquiry. What might a new media analyst learn from a researcher working on Renaissance perspective? How might an historian of Japanese wood-block prints benefit from publishing their work in tandem with…
  • ART HISTORY LINKSBelow are a range of resources useful to the study of art history. If you know of any that aren’t listed please leave a comment below and they will be added. Image databases – Directories and general databases – Funding – Image Databases Galleries and Museums Most museums and galleries now have part of their collection online, below is a list of some of the most comprehensive and useful databases. British Museum main website – image database. This database has over 1.5 million objects from the collection. Including a large amount of the prints and drawings collection.  The record for most items gives the full title, author, materials, date, school/style, culture, dimensions and inscriptions, a short description, bibliographic details and provenance. You can also order high quality images for use in personal study or for small run academic publications free of charge, they are usually emailed to you within 24 hours. Victoria & Albert Museum main website – image database Another very big database, with around 30 000 works, the image database was recently relaunched and is now easier to use with more records. Some records are minimal and may not have images but there are are huge number of…
    • Image DatabasesGalleries and Museums Most museums and galleries now have part of their collection online, below is a list of some of the most comprehensive and useful databases. If you know of any useful image databases that are not listed below please get in touch. British Museum main website – image database. This database has over 1.5 million objects from the collection. Including a large amount of the prints and drawings collection.  The record for most items gives the full title, author, materials, date, school/style, culture, dimensions and inscriptions, a short description, bibliographic details and provenance. You can also order high quality digital images for use in personal study or for small run academic publications free of charge, they are usually emailed to you within 24 hours. Victoria & Albert Museum main website – image database Big database, with around 30 000 works, the image database was recently relaunched and is now easier to use with more records. Some records are minimal and may not have images but there here are also highly detailed records with high quality images. Like the BM they allow downloads of high quality images for scholarly and non-profit use. Royal Institute of British Architects (RIBApix)- homepage…
    • Directories and General DatabasesEuropeana – homepage Europeana allows you to search and link to collections across Europe including many libraries and museums. Includes a range of images and online copies of old (and some more recent) printed books. A useful starting point for research on any European topic and a helpful way to discover new databases and collections. European Cultural History Online (ECHO) – homepage Links to the online content of 120 institutions worldwide, good databases on the history of architecture and historical travel guides, also has some online images. History of the Accademia di San Luca – homepage & post on the database Getty research databases. Multilingual Glossary for Art Librarians – English with Indexes in Dutch, French, German, Italian, Spanish and Swedish – pdf http://www.lib.berkeley.edu/ARTH/arthistresources.html#artindexes
    • Funding, Scholarships and FellowshipsPlease note that funding opportunities are also advertised as posts on the Melbourne Art Network. You can subscribe to these posts via email or RSS. Visit the ‘Subscribe‘ page or see all past posts about funding here. Because MAN is based in Australia this page tends to lists funding opportunities that Australian scholars may be eligible for, but many are open to scholars from any part of the world. If you would like to advertise a funding opportunity please visit ‘Contact Us‘ for details. JASON Postgraduate Scholarship Database for Australia ACIS Cassamarca Scholarships for research in Italy – The scholarships are available to students who in 2010 will be enrolled, full-time or part-time, in honours, research masters or PhD degrees and who will be engaged in research projects in any of the following areas of Italian Studies: archaeology and classical antiquities, language, literature, culture, history, politics and society, including migration studies. AGL Shaw Summer Research Fellowships (Aus) – The State Library of Victoria awards four-week Summer Research Fellowships to postgraduate students studying in any discipline. Andrew W. Mellon Predoctoral Curatorial Fellowship 2010–2012 British School at Rome Awards – The BSR offers residential awards in the humanities for research on the…
    • European Visual Culture SeminarThe European Visual Culture Seminar (established 1993) is organised by the Art History discipline of the School of Culture & Communication at the University of Melbourne. It is open to staff and students from Melbourne University, La Trobe University and other academic institutions, as well as to interested members of the public. The range of research interests is extremely wide and reflects the diversity of European art history, from the Middle Ages to the 20th century. Subjects include – but are not limited to – patronage, portraiture, landscapes and frescoes, architectural and garden history, issues of attribution and discussions of theory. The EVCS prides itself on its approachable culture that encourages extended discussion of papers in an informal, friendly and supportive environment, in which speakers can share their research and obtain thoughtful and in-depth feedback. The seminars take place once a month during semester, usually on a Monday evening at 6.30 pm, in the Elisabeth Murdoch Building, the University of Melbourne, Parkville Campus. Afterwards everyone is welcome to join us for dinner in Lygon Street. The EVCS is open to all. If you would like to be added to the email list to receive information on upcoming seminars, or are…
      • About EVCSThe European Visual Culture Seminar (established 1993) is organised by the Art History discipline of the School of Culture & Communication at the University of Melbourne. It is open to staff and students from Melbourne University, La Trobe University and other academic institutions, as well as to interested members of the public. The range of research interests is extremely wide and reflects the diversity of European art history, from the Middle Ages to the 20th century. Subjects include – but are not limited to – patronage, portraiture, landscapes and frescoes, architectural and garden history, issues of attribution and discussions of theory. The EVCS prides itself on its approachable culture that encourages extended discussion of papers in an informal, friendly and supportive environment, in which speakers can share their research and obtain thoughtful and in-depth feedback. The seminars take place once a month during semester, usually on a Monday evening at 6.30 pm, in the Elisabeth Murdoch Building, the University of Melbourne, Parkville Campus. Afterward everyone is welcome to join us for dinner in Lygon Street. The EVCS is open to all. If you would like to be added to the email list to receive information on upcoming seminars, or are…
      • Past PapersPast Papers 2010 8 March 2010: Eugene Barilo von Reisberg – ”Garters and Petticoats’: Winterhalter’s 1843 portraits of Victoria and Albert. Past Papers 2009 14 December: Stephen Mead – Bohemianism in colonial Melbourne: a study of four artists’ clubs 26th October: Mark Shepheard – Musician portraits of the Italian Renaissance: Negotiating the changing status of the musician in sixteenth-century Italy. 28 August: Piers Baker-Bates – Beyond Rome: Sebastiano del Piombo as a painter of diplomatic gifts 7 August: Dr Matthew Potter (University of Leicester) – (Re)collecting ‘home’: acquisitions and imperial identities in Australian art galleries. 13 July: Glenys Adams – “A Re-examination of Guercino’s Altarpiece for the Donati Chapel in the private rooms of S. Filippo Neri at S. Maria in Vallicella, Rome.” 15 June: Bruce McComish – Portraits of Andrea Doria, Sixteenth-Century Genoese Admiral and Statesman. 18 May: Tim Ould – The Triumphal Carriage of Neptune in Jacopo Zucchi’s Palazzo Ruspoli Galleria. 20 April: Susan Russell – Salvator Rosa and Herman van Swanevelt. 23 March: John Weretka – Architectural Currents in Early Eighteenth-Century Rome. Past Papers 2008 17 November: Peter Mitchelson – Carlo Maratti’s Jael & Sisera 18 August: Diana Hiller – ‘Un repas frugal’ or una festa? Male…
Skip to content
  • Home
  • 300_campus

300_campus

Published on 21 June 2012 by Katrina Grant

Post navigation

Previous Previous post: 300_campus
Copyright © All rights reserved. Theme: Minimal Grid by Thememattic
Bitnami