Author | Title | Issue | Pages | ||||
Melbourne Art Journal, Issue 11-12, 2008-9. Europe and Australia. Edited by David R. Marshall |
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84 | Pullin, Ruth | The Vulkaneifel and Victoria’s Western District: Eugène von Guérard and the Geognostic Landscape |
Issue 11/12 | pp. 6-50 | |||
83 | Jordan, Caroline and Veronica Filmer | ‘Old Sayer’s Picture Gallery’: James Whitley Sayer, Founder of the Geelong Gallery |
Issue 11/12 | pp. 34–49 | |||
82 | Stocker, Mark | ‘Director of the Canoe’: The Auckland Statue of Sir George Grey |
Issue 11/12 | pp. 50 | |||
81 | Williams, Katti | Sublime Ruins: William Lucas Project for the Australian WWI War Memorial at Villers-Bretonneux, France |
Issue 11/12 | pp. 64 | |||
80 | Maskill, David | Imperial Lines: Harold Wright (1885–1961): Printmaking and Collecting at the End of Empire |
Issue 11/12 | pp. 86 | |||
79 | Pierse, Simon | Sir Kenneth Clark: Deus Ex Machina of Australian Art | Issue 11/12 | pp. 104–119 | |||
78 | Read, Richard | Intra-Extra-Recto-Verso: Reversed Paintings and Ontological Realms |
Issue 11/12 | pp. 120–135 | |||
77 | Baker, Alex | It’s All About You: Generosity in the Art of Harrell Fletcher |
Issue 11/12 | pp. 136–149 | |||
Melbourne Art Journal, Issue 9-10, 2006-7. Art, Site and Spectacle. Studies in Early Modern Visual Culture. Edited by David R. Marshall |
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76 | Marshall, David R. | Preface | Issue 9/10 | p. 7 | |||
75 | Gaston, Robert W. | Introduction: Some Meditations on Space and Place in Recent Florentine Art History | Issue 9/10 | p. 8–13 | |||
74 | Hudson, Hugh | Fra Angelico and Paolo Uccello in the Early Quattrocento |
Issue 9/10 | pp. 14–33 | |||
73 | Baker-Bates, Piers | Sebastiano del Piombo’s Ubeda Pietà: Between Italy and Spain | Issue 9/10 | pp. 34–43 | |||
72 | Wolfe, Karin | Francesco Trevisani and Landscape: Joseph Sold into Slavery in the National Gallery of Victoria | Issue 9/10 | pp. 44-61 | |||
71 | Gaston, Robert W. | Untangling the Mannerist Narrative: Bronzino, Moses and Eleanora of Toledo in the Palazzo de’ Signori, Florence | Issue 9/10 | pp. 62–77 | |||
70 | Strunck, Christina | The Marvel Not Only of Rome, But of All Italy’: The Galleria Colonna, Its Design History and Pictorial Programme 1661–1700 |
Issue 9/10 | pp. 78–103 | |||
69 | Witte, Arnold | Hermits in High Society: Private Retreats in Late Seicento Rome |
Issue 9/10 | pp. 104–119 | |||
68 | Marshall, David R. | Giovani Paolo Panini as Architectural Critic: The Competition for the Façade of S. Giovanni in Laterano in 1732 and the Quirinal Caffeaus |
Issue 9/10 | pp. 120–142 | |||
67 | Beaven, Lisa | Claude Lorrain’s Harbour Scenes: Sun, Science and the Theatre in the Barberini Years | Issue 9/10 | pp. 144–162 | |||
66 | Grant, Katrina | Teatri di Verzura: Hedge Theatres in Baroque Lucca |
Issue 9/10 | pp. 162–175 | |||
65 | Shepheard, Mark D. | Will the Real Boccherini Please Stand Up’: New Light on an Eighteenth-Century Portrait in the National Gallery of Victoria | Issue 9/10 | pp. 176–197 | |||
64 | Gott, Ted | It is Lovely to be a Gorilla, Sometimes’: The Art and Influence of Emmanuel Frémiet, Gorilla Sculptor |
Issue 9/10 | pp. 198–219 | |||
Melbourne Art Journal, Issue 8, 2005 |
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63 | Marshall, David R. | Editorial | Issue 8 | p. 3 | |||
62 | Marshall, Christopher R. | The Spirit of Caesar in this Soul of a Woman’: Artemisia Gentileschi and the Will to Succeed. 1629–1654 |
Issue 8 | pp. 4-27 | |||
61 | Neale, Anne | Land Labour and Gold: Eugen von Guérard or Edward La Trobe Bateman? | Issue 8 | pp. 28–41 | |||
60 | Ebury, Frances | The Trail of the Title: Image and Text in Australian Pictorialist Photography |
Issue 8 | pp. 42–51 | |||
59 | Zdanowicz, Irena | Painting from the Inside Out: Fred Williams’ Travels and His Relationship to the European Tradition | Issue 8 | pp. 52–67 | |||
58 | Den Hartog, Lesley | Chinese Gardens in Australia: Diasporic Gardens or Theme Parks? | Issue 8 | pp. 69–85 | |||
57 | Anderson, Jaynie | Interrogating Joe Burke and His Legacy | Issue 8 | pp. 88–101 | |||
56 | Palmer, Sheridan | Ursula Hoff and the German Tradition | Issue 8 | pp. 102–111 | |||
55 | Holden, Colin | Insights from Ursula Hoff’s Diaries while Felton Bequest Adviser |
Issue 8 | pp. 112–115 | |||
54 | Monica Lausch | Franz Philipp and the Vienna School of Art History in Australia | Issue 8 | pp. 116–127 | |||
53 | Various | Art History Theses at Universities in Melbourne Complete in 2003–2005 |
Issue 8 | pp. 128–133 | |||
Melbourne Art Journal, Issue 7, 2004. ‘The Italians’ in Australia: Studies in Renaissance and Baroque Art. Edited by David R. Marshall |
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52 | Marshall, David R. | Preface | Issue 7 | pp. 9–12 | |||
51 | Spear, Richard E. | What is an Original? | Issue 7 | pp. 15–32 | |||
50 | Gregory, John | The Colour of Mannerism: Some Exploratory Observations, Focusing on Jacopo Bassano’s Martyrdom of St Catherine |
Issue 7 | pp. 33–40 | |||
49 | Marshall, Christopher R. | Markets, Money and Artistic Manoeuvres: Reflections on Bernardo Cavalino and the Grand Manner | Issue 7 | pp. 41–48 | |||
48 | Marshall, David R. | Carlevaris & Canaletto, Piranesi & Panini: The Paradoxes of the Serial Veduta |
Issue 7 | pp. 49–66 | |||
47 | Lucco, Mauro | Lorenzo Lotto and the Interpretation of Venetian Sixteenth-Century Portraits |
Issue 7 | pp. 69–86 | |||
46 | Anderson, Jaynie | Bittersweet Love. Giorgione’s Portraits of Masculine Friendship |
Issue 7 | pp. 87–94 | |||
45 | Beaven, Lisa | Bernini’s Last Papal Portrait and its Audience: The Statue of Pope Clement X Altieri | Issue 7 | pp. 95–106 | |||
44 | Hill, Michael | The Informality of Baccicio’s Portrait of Cardinal Spinola |
Issue 7 | pp. 107–114 | |||
43 | Marshall, Louise | Luxury and Pathos in Romanino’s Christ Carrying the Cross |
Issue 7 | pp. 131–144 | |||
42 | Russell, Susan | Annibale Carracci’s St Margaret and the Single-Figure Altarpiece Around 1600 |
Issue 7 | pp. 145–152 | |||
41 | Gaston, Robert W. | The Rhetoric of Atrocity: Guercino’s Martyrdom of St Lawrence in Lugano | Issue 7 | pp. 153–166 | |||
40 | Gaston, Vivien | Virile Cittadino: Rosso Fiorentino’s Moses Defending the Daughters of Jethro | Issue 7 | pp. 169–178 | |||
39 | Zika, Charles | The Corsini Witchcraft Scene by Salvator Rosa: Magic, Violence and Death | Issue 7 | pp. 179–190 | |||
38 | Morgan, Luke | Guercino’s Et in Arcadia Ego and Eighteenth-Century Landscape Design | Issue 7 | pp. 191–196 | |||
Melbourne Art Journal, Issue 6 2003 |
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37 | Marshall, David R. and Gaston, Robert W. | Editorial | Issue 6 | pp. 3-4 | |||
36 | Morgan, Nigel | Gendered Devotions and Social Rituals: The Aspremont Psalter-‘Hours’ and the Image of the Patron in Late Thirteenth and Early Fourteenth-Century France | Issue 6 | pp. 5–24 | |||
35 | Spinks, Jennifer | Education and Entertainment: The Redecoration of Marie-Adélaïde of Savoy’s Ménagerie at Versailles | Issue 6 | pp. 25–34 | |||
34 | Marshall, David R. | Carnevale, Conversazione and Villeggiatura: Villa Life in the Eighteenth Century | Issue 6 | pp. 35–64 | |||
33 | Russell, Susan | Herman van Swanevelt’s Landscape Prints in the Tom Roberts Album at the Art Gallery of New South Wales | Issue 6 | pp. 65–76 | |||
32 | Galbally, Ann | Art, Art Nouveau and Anti-Art: Charles Conder and the Aesthetics of the 1890s | Issue 6 | pp. 77–92 | |||
31 | Stocker, Mark | Pakeha Praxiteles: The Sculpture of Margaret Butler | Issue 6 | pp. 93–106 | |||
30 | Various | Art History Theses at Universities in Melbourne completed in 2001–2003 |
Issue 6 | pp. 107–115 | |||
Melbourne Art Journal, Issue 5, 2001/2 |
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29 | Marshall, David R. | Editorial: The Italians Exhibition | Issue 5 | pp. 3–4 | |||
28 | Lloyd, Joan Barclay | Mary, Queen of the Angels: Byzantine and Roman Images of the Virgin and Child Enthroned with Attendant Angels | Issue 5 | pp. 5–24 | |||
27 | Inglis, Alison | The Queen of the South’: Archaeology and Empire in Edward J. Poynter’s The Visit of the Queen of Sheba to King Solomon | Issue 5 | pp. 25–40 | |||
26 | Savill, Merilyn | The Triple Portrait of Piere Bernard, Gérard Edelinck and Nicolas de Lagillière and the Debate in the French Academy in 1686 over the Status of Engravers |
Issue 5 | pp. 41–52 | |||
25 | Paffen, Paul | A Grand Illusion: Benjamin Duterrau and The Conciliation | Issue 5 | pp. 53–70 | |||
24 | Rosario, Iva | Josef Kucik’s Sgraffito Murals in the Church of the Holy Trinity, New Norcia |
Issue 5 | pp. 71–82 | |||
23 | Various | Art History Theses at Universities in Melbourne completed in 2000 |
Issue 5 | pp. 83–87 | |||
Melbourne Art Journal, Issue 4, 2000 |
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22 | Marshall, David R. | Editorial | Issue 4 | pp. 3 | |||
21 | Eichberger, Dagmar | A Renaissance Princess named Margaret: Fashioning a Public Image in a Courtly Society | Issue 4 | pp. 4–24 | |||
20 | Sobchack, Vivien | What is Film History? Or the Riddle of the Sphinxes | Issue 4 | pp. 25–36 | |||
19 | McDonald, Mark P. | Pedro Perret and Pedro de Villafranca: Printmakers to the Spanish Hapsburgs | Issue 4 | pp. 37–51 | |||
18 | Eckfeld, Tonia | The Virtuous Wife: The Mural Decoration in the Tang Dynasty Tomb of Crown Prince Li Xian | Issue 4 | pp. 52–63 | |||
17 | Various | Art History Theses at Universities in Melbourne completed in 1999 |
Issue 4 | pp. 64–71 | |||
Melbourne Art Journal, Issue 3, 1999 |
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16 | Eichberger, Dagmar | Ursula Hoff: A Tribute | Issue 3 | pp. 3–4 | |||
15 | Weil, Stephen | When the Audience takes Stage Centre | Issue 3 | pp. 5–13 | |||
14 | Russell, Susan | Virtuous Women: The Decoration of Donna Olimpia Pamphilij’s Audience Room in the Palazzo Pamphilj in Piazza Navona | Issue 3 | pp. 14–24 | |||
13 | Beaven, Lisa | Camillo Massimo as Patron of Sculptors: François Duquesnot, Alessandro Algardi, Francesco Fontana and Cosimo Fancelli | Issue 3 | pp. 25–36 | |||
12 | Inglis, Alison | Painting for Eternity’: Edward Poynter and the ‘Kensington Valhalla’ |
Issue 3 | pp.37-54 | |||
11 | Various | Art History Theses at Universities in Melbourne completed in 1997–1998 |
Issue 3 | pp. 55–62 | |||
Melbourne Art Journal, Issue 2, 1998 |
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10 | Marshall, David R. | Editorial | Issue 2 | p. 3 | |||
9 | Creed, Barbara | Modernity and Misogyny: Film and the Public Erotic | Issue 2 | pp. 4–14 | |||
8 | McDonald, Mark P. | A Drawing by Antonio del Castillo y Saavedra in the British Museum | Issue 2 | pp. 15–22 | |||
7 | Dwyer, Jillian | The Lone Hand Case: The Critical Response to Bernard Hall’s Sleep in New Zealand | Issue 2 | pp. 23–32 | |||
6 | Lloyd, Joan Barclay | The Architecture of the Church of the Immaculate Conception, Hawthorn |
Issue 2 | pp. 33–46 | |||
Melbourne Art Journal, Issue 1, 1997 |
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5 | Marshall, David R. | Editorial | Issue 1 | p. 1 | |||
4 | Gillman, Derek | The Export of National Treasures: Reasonable or Treasonable? |
Issue 1 | pp. 2–16 | |||
3 | Wootton, Astrid | On Circe’s Island: Subversive Power Relationships in a Painting by Sinibaldo Scorza | Issue 1 | pp. 17–24 | |||
2 | Leach, Alison | Bellotto’s Forum Romanum in the National Gallery of Victoria Reconsidered | Issue 1 | p. 25–31 | |||
1 | Dynan, Catherine | The 1899 Design for Flinders Street Station: James Fawcett, Henry Ashworth and the Arts and Crafts Movement | Issue 1 | pp. 32–42 |