Photography and Collaboration: From Conceptual Art to Crowdsourcing offers a fresh perspective on existing debates in art photography and on the act of photography in general. Offering new arguments about photographic practice and collaboration, Palmer’s work is an invaluable contribution to the history of photography and contemporary art writing. Published by Bloomsbury.
Daniel Palmer is Associate Dean of Graduate Research and Associate Professor in the Art History & Theory Program at MADA (Monash Art, Design & Architecture). His books include The Culture of Photography in Public Space (Intellect 2015), edited with Anne Marsh and Melissa Miles, and Twelve Australian Photo Artists (Piper Press, 2009), co-authored with Blair French.
Charles Green is Professor of Contemporary Art in the School of Culture and Communication at the University of Melbourne. Author of Peripheral Vision (Craftsman House, 1996) and The Third Hand (Minnesota Press, 2001), he recently completed a history of biennials in contemporary art, Biennials, Triennials and Documenta (Blackwell Wiley, 2016), with Anthony Gardner. Lyndell Brown and Charles Green have worked in collaboration as one artist since 1989. They are based in regional Victoria. Their works are included in most of Australia’s public art collections and many private and corporate collections.