Registration is open for the 2021 AAANZ Conference, Impact. For this year’s online conference, registration will provide entry to the conference web portal with access to the full program of panels, keynotes and other events. […]
The Association for Art History’s Annual Conference brings together international research and critical debate about art, art history and visual cultures. A key annual event for art history, the conference is an opportunity to keep […]
The CAA 2022 Annual Conference is scheduled for 16-19 February 2022 and will be held in Chicago, Illinois (format to be determined at a later date). The conference is the largest professional convening of art […]
The 2021 conference of the Art Association of Australia & New Zealand will take place at the University of Sydney, 8-10 December 2021. The call for panel proposals is now open and are due by […]
Subscribers to the EVCS may be interested in following sessions at the forthcoming AAANZ Conference, to be held in Melbourne from the 7th to the 9th of December. The sessions below are particularly relevant to […]
Interdiscipline AAANZ 2013, Melbourne, December 7-9 The 2013 AAANZ annual conference will take place in Melbourne, December 7-9. It is being hosted by the University of Melbourne (VCA and Art History), National Gallery of Victoria […]
Call for Papers AAANZ Conference, Together <>Apart Sydney, July 2012 The 2012 AANZ conference will be held in the third week of the Biennale of Sydney, Together <> Apart and will address major debates and issues raised […]
Australia and New Zealand Art Association Annual Conference 12-14 July 2012 Together <> Apart Call for Panel Proposals – Deadline extended to February 17th 2012 Held in the third week of the Biennale of Sydney, […]
AAANZ Annual Conference, 2011 – ‘Contact’ 7-9 December 2011, Victoria University of Wellington Announcing the 2011 Art Association of Australia and New Zealand Annual conference, on the theme of ‘Contact’ to be held at Victoria […]
Call for Papers Impressions of Colour: Rediscovering Colour in Early Modern Printmaking, ca 1400-1700 Cambridge, 8-9 December 2011 The absence of colour has been long been considered a defining characteristic of early modern printmaking. Colour […]
