Bookworm Series of seminars/webinars where CSC members present on their recently published research. Where do we find Chinese contemporary art in the Asian Modern? Cases from the 1930s and 1940s: Xu Beihong and Pan Yuliang […]
About the opportunity Full time continuing position offering a base salary of $109K p.a., and generous employer’s contribution to superannuation As a result of exciting change within the Chau Chak Wing Museum, we are looking […]
The University of Sydney’s School of Philosophical and Historical Inquiry (SOPHI) is organising a virtual conference on Classics in Colonial Cities in November 2021. The conference will focus on Australia, New Zealand and South Africa, […]
The 2021 AAANZ Conference will be taking place at the University of Sydney, on the unceded sovereign lands of the Gadigal people of the Eora nation, 8-10 December 2021. Call for Panels The Sydney Conference […]
The Judith Neilson Scholarship in Contemporary Art Applications close 22 May 2018. The Judith Neilson Scholarship in Contemporary Art has been established to support the study of contemporary Chinese art in its global contexts. The […]
Modern and contemporary art is founded on a pre-history of art types and concepts of the modern which in the case of Shanghai go back to the 1850s. The Shanghai Biennale emerges in 2005 from […]
Gender in Southeast Asian Art Histories | An international symposium hosted by the Power Institute, University of Sydney, Australia, 11–13 October 2017 Proposals due 28 February 2017 Studies focused on gender in Southeast Asian societies have emerged, […]
Three lectures at the Power Institute in Sydney over the next three weeks by interstate and international guest speakers. Frédéric Ogée Hogarth’s Bodies Thursday 20 October, 6.00pm In his choice of subjects and in his painting […]
To celebrate its twentieth birthday, on 4 November Sydney’s 4A Centre for Contemporary Asian Art will stage a major symposium event Twenty Years at the University of Sydney with support from the Power Institute, the Asian Australian […]
The Power Institute is pleased to present two lectures on British art of the eighteenth century, by Professors David Solkin and Mark Hallett. David Solkin – English or European? Portraiture and the Politics of National Identity […]
